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・ John A. Pittman
・ John A. Plummer House
・ John A. Poindexter
・ John A. Pollock
・ John A. Pollock (professor)
・ John A. Poor
・ John A. Porter
・ John A. Powell
・ John A. Power
・ John A. Powers
・ John A. Pyle
・ John A. Quackenbush
・ John A. Quinn
・ John A. Quitman
・ John A. R. Scott
John A. Hartell
・ John A. Hartford Foundation
・ John A. Hartle
・ John A. Harts
・ John A. Hartwell
・ John A. Hasecoster
・ John A. Hastings
・ John A. Hawkins (linguist)
・ John A. Hawkins (New York)
・ John A. Hay
・ John A. Heffern
・ John A. Hefferon
・ John A. Hennessy
・ John A. Hiigli
・ John A. Hill


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John A. Hartell : ウィキペディア英語版
John A. Hartell
John Anthony Hartell (1902–1995) was an American artist of first the Impressionist, and later the Modern. Styles. He was born in Brooklyn. As an artist, Hartell gives shape and form to those aspects which are least substantial: light, atmosphere and memory.
==Early life==

Hartell’s undergraduate studies were in a technical field, the appeal of art being a secondary interest at first. John Hartell took his bachelor's degree, architecture from Cornell University in 1925,〔Morris Bishop, ''A History of Cornell'' (1963) at 625.〕 where he joined the Phi Kappa Psi fraternity. He was then selected for a graduate fellowship at the Royal Academy of Fine Arts in Stockholm. John practiced his art during these years, and continued to do so during the next forty years while teaching architecture at Clemson College and the University of Illinois and, after 1930, back on the Hill at Cornell, where he taught art as well.
Once in Ithaca, Hartell sought to bring art into the lives of both Cornell students and Cornell faculty, including the organization of an art exhibit in the Willard Straight Memorial featuring hundreds of art works.〔Cornell Alumni News, Ithaca Artists’ Exhibit (May 28, 1936) at 496.〕 In 1936, he illustrated “Over in the Meadow; an old Nursery Rhyme.”〔Copyright Office, Library of Congress, Catalog of Copyrights Entries: Third Set, Books and Pamphlets; Including Serials and Contributions to Periodicals (17:I:2)(July-Dec. 1963) at 2218.〕 During that period he was commissioned to design a number of residences. He also partnered with a New York architect on buildings for the World's Fair of 1939. The University asked John to serve on the Committee for Fine Arts in 1941.〔Cornell Alumni News, Trustees Elect Collyer (Jan. 31. 1941) at 1.〕 Hartell remained active with his undergraduate literary pursuits, writing for the last Cornell Widow for 1942.〔Cornell Alumni News, “Old Widowers” Deliver (44:31)(May 21, 1942)〕 The alumni writing effort was conceived of by ''Widow'' editor, Knox B. Burger, son of Hartell’s fraternity brother and fellow Irving Literary Society member, Carl B. Burger, former ''Widow'' art editor.
Hartell found himself a mature artist after the Second World War, being featured at the Kraushaar Galleries in New York City, following in the tradition of his fraternity brother, Reynolds Beal, who was exhibited at the same as early as 1929. After his retirement from teaching in 1968, he painted full-time. Much of his imagery came from the lakes and woods of upstate New York, where he lived, and from the eastern Long Island he knew as a boy.

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